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";s:4:"text";s:33462:"This begins by learning about, acknowledging, and repairing histories of harm enacted by arts and culture institutions, as well as the root causes of cultural inequity. Rebuilding the Solidarity Economy During COVID-19. Center for Cultural Innovation, Barr Foundation. Well known examples include the National Trust and the RSPB but there are thousands of small organisations that rely on a dedicated group of volunteers to deliver their work. Economy groups, East Bay Permanent Real Estate Investment Cooperative, Institute for Local Self Reliance’s MuniNetworks, Cooperative Food Empowerment Directive (CoFED), Leeway Foundation’s transition from family-control to community-control, The Contribution of SSE and Social Finance to the Future of Work, SELC Webinar on Worker Self-Directed Nonprofits, The Case for an Emergency Charity Stimulus, Guiding a Giving Response to Anti-Black Injustice, Leveraging Investments in Support of Social Justice, Collective Courage: A History of African American Cooperative Economic Thought and Practice, On Common Ground: International Perspectives on the Community Land Trust, Building for Us: Stories of Homesteading and Cooperative Housing, The UN Inter-Agency Task Force on Social and Solidarity Economy, International Centre of Research and Information on the Public, Social and Cooperative Economy, Center for Cultural Innovation’s AmbitioUS program. community land trusts, permanently affordable space Visit www.art.coop to download the report, executive summary, watch the summary video or join the community! Set internal and external benchmarks and practices for repair. Competition; I prevail at the expense of others. Artists get together, form a business, and make decisions about how it operates and how profits are distributed. Create donor-advised funds and partner with fund managers to establish program-specific funds to directly source, evaluate and underwrite investments. Solidarity Not Charity: Grantmaking in the Solidarity Economy. Download Report. What do mutual aid networks, EngAGE changes lives. A buying club that is owned and run by the people who use it. Vaccine equity is not working because besides the role played by the fascists and the authoritarian regimes in denying vaccine access to their population, also, it is behind the cloak of human . Solidarity is a pathway to spiritual development A range of institutions and funds — including non-profit banks, credit unions, loan funds, and venture capital funds — that exist to grow community wealth for low-income communities. Found insideCommunities in Action: Pathways to Health Equity seeks to delineate the causes of and the solutions to health inequities in the United States. join existing organizing work, and The cultural . This is a website for arts and culture grantmakers to learn about the Solidarity Economy. Commissioned by GIA with funding by William and Flora Hewlett Foundation, Kenneth Rainin Foundation, and Barr Foundation, the report and its . Her seminal books and essays are widely read in the US and other English-speaking countries -- among them, Community, Culture and Globalization and this book's antecedent, Creative Community. Comprehensive in its coverage, The Womanist Reader is the first volume to anthologize the major works of womanist scholarship. Email: nati conrazon, caroline woolard We FB Heron Foundation, Swift Foundation, Schumacher Center for a New Economics, Mary Reynolds Babcock Foundation, Springboard for the Arts. For more details about GIA, call (929) 452-3740 or visit www.giarts.org or its social media sites, Twitter, Facebook, Instagram, LinkedIn and YouTube. Our Registered Charity Number is 1179384. Welcome. EngAGE embraces. The Community Foundation of West Alabama was organized in 1999. Conduct listening sessions with grantees, stakeholders, community members, and the people most impacted by grantmaking decisions. This hands-on guide includes activities, worksheets, and assignments and is a critical resource for artists and art educators today"--Page 4 of cover Director, 32° East Ugandan Arts Trust, Uganda, Program Officer, Black-Led Movement Fund and the Communities Transforming Policing Fund, Borealis Philanthropy, Organizing Manager, Free Press and Media Reparations 2070, Director, Reinventing the Commons Program, Schumacher Center for a New Economics, Associate Professor of Political Science, Haverford College, Executive Director of Caribbean Cultural Center African Diaspora Institute, Doctoral Candidate, Ethnic Studies, University of California - San Diego, Director, Casco Art Institute: Working for the Commons, Netherlands, Director, National Accelerator for Cultural Innovation, Arizona State University, Historian and Organizer, Union for Musicians and Allied Workers, Chief of Strategy and Revenue, Yerba Buena Center for the Arts, Program Manager, National Accelerator for Cultural Innovation, Arizona State University, Storyteller, Researcher, and Co-Founder, Art.Exit, Executive Director, Cooperative Development Institute, Director, Racial and Economic Justice, The Nathan Cummings Foundation, Founder, Repaired Nations and Equal Justice Works Fellow at the Sustainable Economies Law Center, Co-Director, Wellspring Cooperative Corporation and Coordinator, US Solidarity Economy Network, Executive Director, US Federation of Worker Cooperatives, Program Officer and Director of Artist Fellowships, McKnight Foundation, Program Officer, AmbitioUS, Center for Cultural Innovation, Investment and Fundraising Director, East Bay Permanent Real Estate Cooperative, Creativity and Free Expression Team, Ford Foundation, Program Coordinator, National Accelerator for Cultural Innovation, Arizona State University, Philanthropic Advisor and Organizational Consultant, Professor, Community Justice and Social Economic Development, Department of Africana Studies, CUNY, Director, Performing Arts Program, William and Flora Hewlett Foundation, Director, Sustainable Economies Law Center, Senior Program Associate, Office of the President, Andrew W. Mellon Foundation, Vice President of Programs, Nathan Cummings Foundation, Communications Director, Boston Ujima Project, Vision Keeper / Executive Director, Alternate Roots, Associate Director, Kenneth Rainin Foundation, Chair and Associate Professor of Economics, Drew University, Director, East Bay Permanent Real Estate Cooperative, Assistant Professor, Media Studies, University of Colorado Boulder, Sherman Cultural Strategies, Consultant for ArtPlace America, Executive Director, Guild of Future Architects, Previous Senior Program Officer, ArtPlace America, Co-Founder and Director, Center for Economic Democracy, Lead Artist and Director, Mississippi Center for Cultural Production, President and CEO, Grantmakers in the Arts, Program Director, Thriving Cultures, Surdna Foundation, Co-Artistic Director, Double Edge Theatre, Director, Schumacher Center for a New Economics, Creative Strategist and Cooperative Organizer, Director of Arts & Creativity, Barr Foundation, Executive Director, Springboard for the Arts, oldest non-extractive Venture Capital firm in the US, A co-op giving 35,000 freelancers the benefit of full-time The authors explain the cultural sector is actively seeking alternatives to business-as-usual to create economic and racial justice in the sector and beyond. “This work is not new. Oregon Wineries Make Wine Out Of Grapes Rejected For Smoke Taint : The Salt After the Klondike Fire, some growers were hit with canceled orders. Grantmakers can play a role in the transformation of the sector by following the lead of BIPOC creatives who are innovating models for self-determination and community wealth. NARROW your results by selecting more terms. Make media about this work: songs, posters, memes, and stories. At the request of Cardinal Raul Silva Enriquez, the vicariate's first director, it was set up by Pope Paul VI in 1976 to stop the abduction and ill treatment of Chilean citizens by the government. Join a peer network and/or giving circle to support ongoing transformation. Thank you for your interest in this open access educational resource. Organize a book club in your community. The cultural sector is actively seeking alternatives to business-as-usual to create economic and racial justice in the sector and beyond. Grantmakers in the Arts; How can I contact the foundation? Coronavirus (COVID-19) Resource and Response Center. The new website has a page stating that the charity 'stands in solidarity with those in the fight against racism and with our Fellows from minoritised racial communities'. Who benefits? The East Bay Permanent Real Estate Cooperative (EBPREC) centers their work in the Black Arts Community, making space affordable for generations to come. Why should culture and economic innovation go together? A big thank you to the newly formed Surplus+ design cooperative for . Also charitable giving is not a holy money machine. Convene the next generation of public sector workers with culturally-grounded organizations, artists, and culture-bearers. Pueblo Camp relatives stood with the Oceti Sakowin relatives to stop the Dakota Access Pipeline. And that our own liberation is not only bound up with that of others but that our collective future is dependent on it. I believe in solidarity. 2) Commit to Long-Term Work with Multiyear Grants, Loans, and Equity Investments for Solidarity Economy Institutions and Networks. Community ownership and democratic governance that builds political, cultural, and economic power is adapted from Nwamaka Agbo's Restorative Economics Theory of Liberation and is used with permission. Solidarity Not Charity - Grantmaking in the Solidarity Economy. Grantmakers in the Arts. Send your completed project outline and the separate data protection declaration via email to applications-kulturstiftung@allianz.de. Found inside'This is the definitive book on philanthropy – its history, contradictions and future' – John Gray, Emeritus Professor of European Thought, London School of Economics 'Good books lay out the lie of the land. market-priced housing who will have 4 hours a week for of shared livelihoods rooted in cultural traditions. Twitter: @_artcoop. This volume offers suggestive glimpses into the character and consequence of a new engagement with old-fashioned participation in the arts. The authors in this volume hint at a bright future for art and citizen art making. community economic development, democratic socialism, just transition, If you are a grantseeker, please note that grants are by invitation only. Found insideIncreasingly, other organisations, such as the United Nations World Tourism Organization, are joining this project. This handbook was funded by the third European Commission/Council of Europe Joint Programme on Cultural Routes. FOR GENERAL INQUIRIES. To support this work, you can: educate yourself, New York, NY - Wednesday, March 24. The Vicariate of Solidarity was an agency of the Chilean Catholic Church under the Archdiocese of Santiago. Grantmakers in the Arts (GIA) is a national association of private and public arts funders, including large independent foundations, family foundations, community foundations, national, state and local arts agencies, and nonprofit organizations that make grants to artists and arts organizations. As the authors of "Solidarity Not Charity: Arts and Culture Grantmaking in the Solidarity Economy" explain in their report, "solidarity economy" is a relatively contemporary term used to . Grantmakers The Asian Solidarity Fund is an opportunity to support Asian Canadians, celebrate the contributions of the Asian community, and stand up against intolerance, prejudice and injustice. Home Philanthropy 'Solidarity Not Charity': . For this report, authors Natalia Linares, communications manager at New Economy Coalition and Caroline Woolard, an artist, educator and fellow at Center for Cultural Innovation, interviewed grantmakers, artists, advocates, scholars, lawyers, and economists in order to inform the recommendations for arts and culture grantmakers on how they can engage in systems-change work that addresses root causes rather than symptoms of cultural inequity. The Partner-Up fund has opened for applications for funding from collaborative arts-for-social-change initiatives. It was commissioned by Grantmakers in the Arts and created by Nati Linares and Caroline Woolard with drawings and report design by Surplus+ (Shea Fitzpatrick and Lucy Siyao Liu) and website created by Julian Boilen. The Bad Activist Podcast explores the trials and tribulations of trying to be a perfect activist in an utterly imperfect world. Step 2 - Select one or more of the other terms. Nati Linares and Caroline Woolard, Solidarity Not Charity: Arts & Culture Grantmaking in the Solidarity Economy: A Rapid Report, Boston, MA: Nonprofit Quarterly, May 2021 [summary slide deck produced for NPQ]. This work is part of an emergent movement in the United States that is known globally as the Solidarity Economy. Found insideTo find out, Francie Ostrower conducted candid personal interviews with 76 trustees drawn from two opera companies and two art museums in the United States. remaking of culture March 23, 2021. Malcontenta, in the province of Venice, Italy, is a town that bears a name about which many people have made ironic jokes (it . The Center for Cultural Innovation, Barr Foundation, Hewlett Foundation, Nexus Northstar Black Cooperative Fellowship. Creatives are ‘going back to the future’ to practices of shared livelihoods rooted in cultural traditions,” Caroline Woolard and Natalia Linares remind us. directly supports women and girls of color. Advocate for legal and fiscal policies that enable the Solidarity Found insideIn this book, NYFA has identified common problems, examined specialized areas of business, ?nance, marketing, and law, and distilled these topics in such a way that readers can digest them and apply them to their own experience and practice ... Malcontenta, in the province of Venice, Italy, is a town that bears a name about which many people have made ironic jokes (it . Solidarity Economy Education and Workshops for Grantmakers, United Nations International Solidarity Economy Reports, Solidarity Economy Legal Questions and Workshops, Recommendations for Giving and Endowment Action, Books about the History of the Solidarity Economy, New Economy Coalition’s CommonBound conference. The faith must express itself in charity and in solidarity, which is the civil form of charity. In September 2018, we moved into our new premises, a lovely church hall near the centre of Derby. Measure your organization’s prior investment in BIPOC staff and grantees: culture-bearers and culturally-grounded organizations. It provides resilience against crisis and has lasting impact when a White-led family foundation to a foundation led by a multiracial community board. According to the National Assembly of State Arts Agencies, the value of arts and cultural production in the United States was $919.7 billion in 2019, amounting to 4.3% of the nation's gross . Use your assets to secure loans for BIPOC arts and culture groups. New York, NY - Wednesday, March 24. Linares adds: “From artist-owned and governed enterprises, to efforts to build community control of the resources all people need to survive, we have the tools to build a transformative culture that inspires many more people to resist oppressive systems and build life-affirming ones. Asian Women Giving Circle, Buen Vivir Fund, Lunar Project, Massachusetts Solidarity Economy Initiative from the Center for Economic Democracy, Headwaters Foundation. No one knows what arts and culture will look like after the pandemic. And yet, foundation giving in 2020 documented that only 5 percent of Claudio Hummes. Offer technical assistance and support from your legal counsel to help co-ops get incorporated. Resora / New Communities, NDN Collective, Center for Heirs' Property Preservation, Ohketeau Center. It added: 'Today there . Convene Solidarity Economy lawyers and financial innovators and center culture-bearers, artists, and culturally-grounded organizations. This is the home page for Serve Your City (SYC), a Washington, DC-based non-profit that creates essential learning opportunities for at-risk students in our nation's capital. Add financial and investment advisors who have knowledge and experience investing in the Solidarity Economy and culture. Collateralize nonprofit property and assets to help BIPOC arts and culture centers access loans at much more favorable terms than if they had applied alone. There is great evidence that the Solidarity Economy provides resilience amid crisis and has lasting impact, when supported as a holistic ecosystem. Key questions include: Who makes the decisions? This emergent movement goes by many names—economic democracy, regenerative economics, community wealth, just transition, self determination, degrowth, the commons, local community economic development—but internationally, it is known as the Social and Solidarity Economy, or the Solidarity Economy. This report is made possible by the William and Flora Hewlett Foundation, the Kenneth Rainin Foundation, and the Barr Foundation. Make gifts and loans of time, art, and money to seed these groups. Emerson Collective, Start Small, Akonadi Foundation, Blue Haven Initiative, Nia Impact Capital. We embody the revolutionary spirit of the 1680 . Around ½ of 1 percent of annual foundation giving people? Please share this report in your communities and networks, using the hashtag #GIArts. Be early investors in cooperative financial institutions. Phase One (fall 2021) Our aim is to connect cultural innovators across silos - popular arts educators, cultural organizers and creators, arts academics, economists, and grantmakers - who do not know one another well, but are building the cultural economy we want. Grantmakers in the Arts (GIA) just released Solidarity Not Charity: Arts & Culture Grantmaking in the Solidarity Economy, a report that explores how the grantmaking community can support culture-workers and artists through an increasingly just economy.. For example, when grantmakers support community-controlled, permanently affordable infrastructure and space they create long-term efficiencies in their giving practices as grantees who benefit are no longer spending large portions of their organizational overhead on rent. While the South African government is tackling poverty amongst its citizenry and has developed various initiatives, this study looks at how generously ordinary South Africans give of their own time and money to assist with the alleviation ... dual power, liberation economy — but internationally, it is known the main barrier for many of these Solidarity Economy entities is deliberate incubation and start-up capital, funders are seeking to learn about ways to support cooperative business structures, and. When these initiatives get together, they have enormous power. 27 hours a week to make art, compared to an artist in Grantmakers play a role in the transformation of the sector by following the lead of BIPOC creatives who are innovating models for self-determination and community wealth. Download: Solidarity Not Charity: Arts & Culture Grantmaking in the Solidarity Economy (7.7Mb) This report is about the ways that arts and culture grantmakers can engage in systems-change work that addresses root causes rather than symptoms of cultural inequity. The Solidarity Not Charity report by GIA was commissioned in response to the pandemic, as well as the Black Lives Matter uprisings. A Message from State Charity Regulators We are pleased to acknowledge the collaboration of the Council on Foundations and the Forum of Regional Associations of Grantmakers in publishing this report to explore how state charity regulators and the philanthropic sector can work together to improve the regulation and accountability of grantmakers. The links below will take you to a wealth of interesting information ranging from the kind of activities a mutual aid network can offer, how to start a mutual aid network in your community, the history of mutual aid, and how and why mutual aid differs from top down institutional non . Community ownership and democratic governance that builds political, Community Land Trusts: Community Arts Stabilization Trust, Oakland CLT, Cooper Square Community Land Trust, Permanent Real Estate Cooperatives: East Bay Permanent Real Estate Investment Cooperative, Housing Cooperatives: Divine House, Art Cooperative, Cohousing and Intentional Communities: Convent Arts Community, MilePost 5, Worker Cooperatives: Rhythm Conspiracy, Resonate, Meerkat, CRUX, Multi-stakeholder Cooperatives: Happy Family Night Market, Producer Cooperatives: 200 Million Artisans, Justseeds, Time Banking: Metasofa Arts Community, Kolanut Collaborative, Mutual Aid: NDN Collective, Sol Collective, Barter Systems and Non-Monetary Exchange: O+ Festival, Participatory Budgeting: Runway, Participatory Budgeting Project, Credit Unions: Actors Federal Credit Union, CDFIs: The Working World, SeedCommons, First People’s Fund, Oweesta Corporation, Community Loan Fund: Boston Ujima Project, Black Farmer Fund, Solidarity Philanthropy and Grantmaking: Center for Economic Democracy, The Weavers Project, AmbitioUS, NDNCollective, Intercultural Leadership Institute, Community Broadband: Institute for Local Self Reliance’s MuniNetworks. art.coop | Solidarity Not Charity: A Rapid Report 4 Grantmakers in the Arts is the only national association of both public and private arts and culture funders in the United States, in- Support Solidarity Economy education for culture-bearers and artists to create initiatives and to support existing initiatives. Contact GIASign Up for GIA News & UpdatesBecome A GIA Member, 522 Courtlandt Avenue, 1st Floor, Bronx, NY 10451-5008 | (929) 452-3740 | gia@giarts.org. Practices will look different for each organization based on their culture, context, process, and desires. Be early investors and technical assistance providers for community-owned businesses. Support culturally-grounded and community-led giving circles, peer-lending, and funder collaboratives. Found insideCovering an empirical sample of 24 eco-social organizations, projects, and groupings in the city of Stuttgart (Germany), the book drills down into the social, spatial, and strategic dimensions of transformation. 2 (Summer 2021). The cultural sector is actively seeking alternatives to business-as-usual Does it spread wealth? This report is made possible by the William and Flora Hewlett Foundation, the Kenneth Rainin Foundation, and the Barr Foundation. and society. 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