";s:4:"text";s:5046:"On this IMDbrief, we break down our favorite panels and surprises from July 2020's Comic-Con@Home.Keep up with all the biggest announcements and updates with IMDb's breaking news roundup of Comic-Con@Home 2020. The show, set in a bizarre alternate world in which the drugs ingested result in vivid, psyche-plumbing experiences that bear a stark resemblance to existing film genres (’80s action-comedy, fantasy quest, etc. This month, Fukunaga brings that force to his second TV show, “Maniac,” a Netflix series starring Emma Stone and Jonah Hill as participants in a drug trial that purports to do the work of decades of therapy with three pills.On a sunny day in late May, the director walked into the series’s bustling postproduction office in SoHo and was immediately beset on all sides. I think it’s vulgar to him.”Fukunaga is aware that his exactitude has given him something of a reputation.
Under the truck?”Fukunaga says he wonders after he has completed a project: Why did I make that movie? He can take a nap anywhere, at any time, a skill he learned while researching “Sin Nombre”: “We’d be on the railroad tracks for days at a time, and I learned how to sleep on gravel pretty well.” But this lackadaisical vibe belies his thrumming high standards and his obsessive eye.Fukunaga has a devoted core of colleagues who have collaborated with him on multiple projects and talk, in quasi-religious terms, about the moments when they realized they had to just let go and let Cary be Cary, trusting his instincts and his process, however taxing that process could be.
If anything,” he says with a hint of steely self-awareness in his voice, “whenever anyone has said, ‘You should tell this story,’ I’ve pivoted and done the opposite.”‘True Detective’ Director Cary Fukunaga Is Bringing His Obsessions to NetflixCary Fukunaga, left, on the set of ‘‘Maniac’’ with Emma Stone and Jonah Hill.
I feel part of nothing but part of everything.”As the entertainment industry has become more conscious of making room for different voices — however slowly, however haltingly — that often involves limiting those voices to their identities: Black directors should make shows about blackness, women should make shows about being women. “There would be kids in school who would be like, ‘My dad says you’re a commie.’ I’m like: ‘That’s Chinese, you idiot. His adaptation of “Jane Eyre,” Charlotte Brontë’s classic novel, starred Mia Wasikowska and Michael Fassbender as a particularly smoldering Rochester. As a director — I want to be very careful how I say this, and I want you to be careful if you use this quote — I don’t think he gives a [expletive] if people like him or not on set.”Fukunaga can be obsessively granular, because be believes the wrong detail can shatter a movie or TV show’s spell — its unique ability to enable us to have a moment. I’m Japanese.’ Things like that.” But today, people sometimes assume that Fukunaga is white. “I’ve worked with other filmmakers where even if the material’s not Fukunaga is working on a number of projects, including an adaptation of “The Black Count,” the true story of Alexandre Dumas’s Haitian father, and one about the days leading up to Hiroshima. But it’s not that Fukunaga has a temper — he never even raises his voice. He grew up knowing this. But as an Asian-American man, Fukunaga did not grapple with his family’s history by making a movie about the internment camps: Rather, his family’s past made him interested in trauma more generally.“It seems like Cary could apply his intelligence to any project, that he can intellectualize telling the story of anything, even if it doesn’t have to do with him,” Jonah Hill says. Especially in my generation and younger, there’s this impulse to cut, to move and do things all the time, and I was trying to figure out how to do as little as possible.”Fitting the entirety of “Jane Eyre” into a two-hour movie sometimes felt to Fukunaga like “a real sacrifice — the ability to explore characters for many hours was a sort of itching desire at that point.” And so he turned to television. The two met when they both had short films at the Sundance Film Festival in 2005. The vibe on the “Maniac” set was so amiable that during one visit, the crew was observing “Fukunaga Friday,” in which they all walked around with Fukunaga’s distinctive plaited pigtails, more and more of them as the day went on. He learned to ride after working on “Jane Eyre,” prohibited for insurance reasons from taking lessons with the cast. His third feature film, “Beasts of No Nation,” about a child soldier — for which Fukunaga did years of research, including visiting Sierra Leone in 2002, at the end of the civil war there — was filmed in Ghana, where Fukunaga and other members of the crew came down with malaria. ";s:7:"keyword";s:33:"cary joji fukunaga true detective";s:5:"links";s:937:"Female Songs About Weed,
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