";s:4:"text";s:4571:" Erik Knudsen is a filmmaker, Professor of Media Practice and Faculty Director of Research in the Faculty of Culture and Creative Industries at the University of Central Lancashire (UCLan) in the UK. He has also been Professor of Film Practice at the University of Salford, where he was for a period of time Head of the School of Media, Music and Performance. Prior to joining UCLAN, Erik was a Professor of Visual and Digital Culture at Bournemouth University’s Media School. He is currently leading the StoryLab International Research Network, funded by the UK’s Arts and Humanities Research Council. Prior to joining the University, Erik was a Professor of Visual and Digital Culture at Bournemouth University’s Media School. Erik Knudsen is a filmmaker and Faculty Director of Research in the Faculty of Culture and Creative Industries at the University of Central Lancashire. Studies Media Production, Film Production, and Documentary Film. More recently, Erik has been engaged with photography. Prior to his University of Salford tenure, he was Head of Erik Knudsen is a filmmaker and Professor of Media Practice at the University of Central Lancashire (UCLAN) in the UK. Etkilesim, 3 (5). During his many years at the University of Salford, Erik has also acted as the University of Salford’s Director of Graduate Studies. Prior to joining UCLAN, Erik was a Professor of Visual and Digital Culture at Bournemouth University’s Media School. As a filmmaker his films include The Raven On The Jetty (88 min., fiction, 2015), The Silent Accomplice (84 min., fiction, 2011), Vainilla Chip (17 min., Documentary, 2009), Veil (for Horse & Bamboo Theatre Company’s touring show, 2008), Heart of Gold (40 min., documentary, 2006), Sea of Madness (86 min., fiction, 2006), Brannigan’s March (99 min., fiction, 2004), Bed of Flowers (50 min., documentary, 2001), Signs of Life (70 min., fiction, 1999), Reunion (50 min., documentary, 1995), One Day Tafo (70 min., documentary, 1991). Etkilesim, 3 (5). He is principal investigator on two recent Arts and Humanities Research Council grants: StoryLab International Film Development Research Network (2016 - 2018) and StoryLab Skills Training for Democratised Film Industries (2019 - 2020).We use cookies to give you the best possible experience on our website, help improve our During his many years at the University of Salford, Erik has also acted as the University of Salford’s Director of Graduate Studies. Alongside his current role, Erik is also Visiting Professor, and the former Head of the Editing Department, at the Escuela Internacional de Cine y Television in Cuba. Prior to joining UCLan, Erik was a Professor of Visual and Digital Culture at Bournemouth University’s Media School. Prior to joining UCLan, Erik was a Professor of Visual and Digital Culture at … Apply now for your degree place at the University of Central Lancashire. He is the chair of the Editorial Board of the Journal of Media Practice and a member of the Arts and Humanities Research Council’s Peer Review College. pp. Erik runs his own film production company, One Day Films Ltd (onedayfilms.com).Erik holds a Bachelor of Fine Art degree in film production from York University, Toronto(1983), and a PhD from the University of Salford, Manchester (2002). Earlier roles at the University of Salford included programme leading the MA in Fiction Film Production, the MA in Television Documentary Production and the MA in Wildlife Documentary Production. Erik Knudsen is a filmmaker and Professor of Media Practice. New Writing: The International Journal for the Practice and Theory of Creative Writing, 13 (1). He is interested in exploring alternative modes of cinematic narratives and stories, the changing narrative practices resulting from developments in production and dissemination technologies and in the epistemology of fact and fiction within the narrative moving image. New Writing: The International Journal for the Practice and Theory of Creative Writing, 13 (1). Erik Knudsen, University of Central Lancashire, School of Film, Media & Performance, Faculty Member. His own creative work takes the form of creative practice and applied theory and is concerned with the exploration and development of transcendent qualities and themes in cinematic storytelling and understanding the meaning and impact of independence in contemporary filmmaking contexts. 109-129. Prior to his University of Salford tenure, he was Head of Production at the Northern Film School at Leeds Beckett University. ";s:7:"keyword";s:18:"erik knudsen uclan";s:5:"links";s:6396:"Ireland Women's Rugby Tickets,
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