";s:4:"text";s:5641:" “Not only is she being suspected, she’s suspecting herself,” Gansa tells In the season that debuts on Sunday, Carrie’s latest mission involves trying to reconstruct her repressed memories of her time in captivity. The head start from the show’s own intelligence-gathering operations allowed the show to portray issues on screen often as they rolled out in real-world headlines.“We weren’t prescient. I felt I owed it to the other creative people involved to stick with it the whole way.”With the final season about to unspool, Gansa and Gordon have been persistently hit with the S-word question — would they ever consider a spinoff? For “Homeland” to do what it does best, Carrie Mathison had to become Nicholas Brody in the show’s eighth and final season. Homeland Season 8 Delay Caused By 'Ambitious' Production Demands Not 'Missteps,' Says Showtime Boss Showtime is delaying Carrie Mathison’s final curtain call yet again.
With the help of her long-time mentor Saul Berenson (Mandy Patinkin), Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn. U.S. Attorney Chuck Rhoades goes after hedge fund king Bobby "Axe" Axelrod in a battle between two powerful New York figures. Created by Alex Gansa, Howard Gordon. A Congressman works with his equally conniving wife to exact revenge on the people who betrayed him. Everybody felt strongly about a lot of things,” he continues. The 20th Century Fox TV-produced series that debuted Oct. 2, 2011 has ridden the wave of real-life headlines and earned the respect of many who work in the deep-state intelligence and national security sectors. Gansa and Gordon have worked on many shows, together and apart, but the “Homeland” experience has been sui generis.“The show’s been an amazing opportunity to experience fictionally some of the crazy new-normal that we’re finding ourselves in,” says Gordon. Gordon, Gansa and Raff wrote the pilot, Michael Cuestadirected the pilot, with Gordon, Gansa, Raff, Avi Nir, and Ran Telem s… “Most of the shows I’ve worked on, I’ve been working for somebody else.
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It’s explored the cottage industries and political power bases that cropped up around the counterterrorism movement.
“Homeland” has excelled in showing the human costs of the post-9/11 War on Terror. That process gave the show a currency that couldn’t be bought. It took a lot of people to build it, but we laid the first bricks.