";s:4:"text";s:25812:"From UFC Apex in Las Vegas. To drive her point home, she offers up a chant thatâs practically subliminalâone-word invocations of the ocean, starlight, pleasure, freedom, us. âRawiya Kameir, Cate Le Bon finds the beauty in isolation. There's contentment in her voice as it floats over Jack Antonoff's sour guitar chords and soft keys, as if sheâs savoring her just desserts. In this pairâs hands, love is an infinitely unruly concept, however concise their words and simple their musical arrangement, which doesnât thicken much beyond the yawn of an organ and some distorted guitar. âAnd this must be the light you saw/Before our eyes could disguise true meaning.â He is certain that we lose this vision in time, each year getting further from that light. Itâs the story of an underdog who just wants to scam a couple of unaware citizens and department stores so he can acquire some drip he can flex on IG: âI paid five thousand for my fit/ Iâm not fitting in,â as he puts it. The imagery is familiar, yet the New Zealand-born/Wales-based artist deploys it in a way that makes these everyday objects sound off-kilter and foreign, like signs held askew to point in a direction few have traveled. Hand Habitsâgives voice to the lovers left behind by non-committal types on the hunt for something better, as the songâs slow, Neil Young gait sets the pace for their fellow walking wounded. âColin Lodewick, Lil Keed is from the same Cleveland Avenue apartments in Atlanta as Young Thug. But soon, the songâs steady groove and bright handclaps underpin a growing skepticism, as her perfectly intact heart begins to strike her as its own worrisome condition. Lenker sings of her late great-grandmother over cyclical strums, insisting that the river of time, like a bottomless melody, can only lead us home. âMarc Hogan, At the beginning of 2019, Rema was a teenager from Benin City, Nigeria, with a modestly viral front-seat car freestyle. For a remedy, they delve deeper into Youngian psychology, unleashing a series of pained fretboard squeals that sound like the guitar-solo equivalent of screaming into your pillow. On âAll Mirrors,â the title track of her latest album, Olsen introduced her latest (and perhaps greatest) incarnation: mighty goth sorceress. âMichelle Kim. The song takes place in a dream and preserves dream logic, psychologically cogent yet somehow logically inexplicable. âSam Sodomsky, Two-and-a-half minutes into âHey, Ma,â the music fades to silence, the song grows calm, and Justin Vernonâs voice emerges almost naked, mostly free of the effects that have colored his vocals since 2007âs For Emma, Forever Ago. All rights reserved. So thereâs a delightful sense of frisson when, on his first Caribou single in five years, we hear the sampled voice of â70s soul singer Gloria Barnes declare, âBaby, Iâm home.â Itâs a statement that suggests a return to oneâs roots, but âHomeâ doesnât so much sound like Snaithâs earliest music as it does an alternate 2001 where he embraced the crowd-pleasing collagist aesthetic of the Avalanches and DJ Shadow instead of the cerebral beats of Four Tet and Boards of Canada. On âNot,â she uses that vivid specificity to outline an absence, her voice snarling and burning as she prowls around the indescribable. Iâve never imagined that I would love it. But even in its ubiquity, âCash Shitâ didnât get oldâarguably, in part, because Megan and DaBaby both rap about sex like they have plenty of it, a transcendent feat among their peers whoâve been clouded in a low-libido haze. Its bassline is a lure, the hi-hat a metronome for your sacrum to ride. On âbmbmbmâ (pronounced âboom boom boomâ), they are puckish and aloof, stacking oblique lyrics and a warped sample of a wailing woman over a calm bass riff and steady drumming. But amid his chart peersâ rampant insolence, the 21-year-oldâs tangy white funk slices through like a double rainbow. Use your grill at least 6 feet away from any wall or surface. The Ozedikus-produced rhythm is bouncy and fresh, while Rema injects the track with youthful energy and eccentric melodies. Take âIf I Canât Have You,â a sparkling single propelled by gargantuan Elton John piano chords and a glorious descending vocal line that should squeeze stress sweat out of Justin Timberlake. 26. âRespect is reciprocal,â he declares, encouraging and upbraiding us at once. But for one moment, Uzi slipped free of the grip of Generation Now label heads Don Cannon and DJ Drama with âFree Uzi.â Over a classic DJ L drill beat, Uzi explodes for three minutes of bars that feel like a blurry 2000s Philly freestyleâprobably featuring Meek Mill with fuzzy cornrowsâthat you would find in the deepest corners of YouTube. Their sound is shamelessly opulent and sumptuous with rot, like fruit losing its color but deepening in scent. âStephen Kearse, Jenny Hvalâs work is always moving closer to the essentials: pleasure, creativity, nurture; reproduction, death, survival. âBen Cardew, Listen: RosalÃa / J Balvin, âCon Alturaâ. I also would recommend doing business with this company because they are very helpful. âStephen Deusner, Big Thiefâs most resonant music keys into a sweeping modern dreadânamely, that tech expansion and the ecological crisis have orphaned us from nature, maybe from part of our soul. âKatherine St. Asaph, Listen: Sky Ferreira, âDownhill Lullabyâ, RóisÃn Murphy begins âIncapableâ as cheerfully as its disco-ready bassline suggests she will. In this economy? âSimon Reynolds. She begins tenderly, but about a minute in, she starts hollering as if from the top of a mountain. Portail des communes de France : nos coups de coeur sur les routes de France. You mean so much to me.â Itâs a deeply joyous moment. âmoney machineâ is a purification ritual for the rotted-out brain, a seething, monstrous prayer to burn the slime away. She described the process of creating for someone other than herself as âreliefâ from writerâs block, saying that there was freedom in that transference. One of the best companies on the market to deal with. The hyper-specific detailsâhe makes it sound so easy that credit scams probably quintupled in the wake of this songâare what makes his music both seedy and improbably exciting. But DJ Nateâs power is restraint: With a stream of warm TR-808 hits and a few errant hi-hats, he allows the footworkers who compete in dizzying dance battles to fill in the energy. Itâs a powerful moment: one of the most influential musicians of the 21st century stripping everything away so he can sing directly to you. âAmy Phillips, âRunningâ opens like a dream: Ambient noise buzzes into focus, as singer-songwriter Roberto Carlos Langeâs soft, layered croon fades in and holds us close. Left off Young Nudyâs Sliâmerre due to sample-clearing issues, the song has lived a full life in corners of the internetâuploaded, taken down, then uploaded again, sometimes as only one verse or an instrumental, sometimes under the name âKid Cudi.â (The real Cudi approved.) Itâs hypnotic, effortless. His rework quickly made its way from DJ to DJ (as these unofficial edits tend to do), appearing in sets by Peggy Gou, Ben UFO, and others, before finally being officially released this March. Who pulls you out of the coal mine and into the real world? âJazz Monroe, After decades of owning the age of 17, Stevie Nicks finally passed the torch. The song made clear that DaBaby was wound up and raring to go before he exploded this year, and no one has stopped him yet. Brown has been telling offbeat stories his entire career, and Q-Tipâs bouncy productionâa funky drip of beeps, gurgly synths, and stretched vocal samplesâaccents his poise. What started out forbidding and impenetrable becomes a bubble you live inside. BUYER IS RESPONSIBLE FOR ALL SHIPPING CHARGES ON RETURNS.***. The video, however, looked more like a Y2K-era screensaver on a desktop computer: a steady, slightly pixelated flow of distant stars in an endless black sky. The sparkling, Piâerre Bourne-produced oddity has spawned countless freestyles and remixes, becoming a little phenomenon on its own. The results feel more joyful than anyone in a time of border walls and internment camps could have expected. This pellet smoker conversion kit comes with ALL the electrical components needed ⦠LEGACY!, a monument to black excellence. Apart from the occasional deliberately unsubtle effect, like the juddering digital croak on the chorus, itâs an artfully crafted illusion of intimacy. The fragmented story that unfolds against crisp, quiet hi-hats and warm piano chords has a nostalgic quality, though itâs hard to know if Lange is acknowledging someone from his past, present, or future. âStuart Berman, A crown jewel among many on Burna Boyâs African Giant, âAnybodyâ offers up an unrelentingly smooth exercise in realizing your own potential. in May, Big Thief seemed content to spend 2019 suspended above Earth. Like a single malt whiskey with a drop of spring water, âClaim Itâ both dilutes and liberates Kleinâs distinctive musical flavor, a reminder from this most maximalist of producers that less can occasionally be more. The single edit trims the song a bit; the best version appears on Georgiaâs forthcoming album Seeking Thrills, out in January, and gives room for her staggering intro to poke through the gleaming synths and stereo laser sprays. âLaura Snapes, Angel Olsen has always been difficult to pin down, a riddle wrapped in a mystery inside an otherworldly warble and gut-punching lyrics. âLittle boxes you canât stick unto me,â she sings, her vocals melting over a commanding backbeat. Sabrina ist ein sexy mdchen mit schlankem krper. His was a swagger that couldnât be imitated, though people tried from every rooftop, apartment window, and car door. She sings with a ferocity rarely heard in the easy-listening playlist bait of modern indie; her presence practically makes the entire band vibrate. If youâre going to scam, at least make a catchy song about it. Sometimes what looks like a party is really salvation. DaBaby, as 2019âs reigning steal-your-girl lothario, made for plenty of Instagram captions, too. Despite many rumors to the contrary, Sky Ferreira didnât sample the strings of âBitter Sweet Symphonyâ on âDownhill Lullaby,â but hers did share that mood: a fatal swoon, something like the score of a David Lynch film. âJulianne Escobedo Shepherd, On âLark,â the opening track from All Mirrors, Angel Olsen once again surveys how men and women in love struggle to see each other clearly. Upon the rim are printed the points ⦠As Four Tet describes it, he happened to hear the original song and began working on it almost as a lark, layering Furtadoâs vocals and locking them into sizzling hi-hats and knocking percussion. It hurts and it's fabulous, this humiliation fantasy that begins with vocalist Laura Les calling you a âpiss baby,â spitting and scream-singing through sheets of voice processing. Then, six minutes in, the song finds its emotional anchor, as Bouldry-Morrison reads a buoyant note to her friends, her family, her listeners: âI love you! Connect with friends, family and other people you know. âLover,â the title track from her most recent blockbuster LP, is a reminder of how effortlessly she can translate specific gestures and moments into universal expressions of romance. Bedouineâs heroine stares wistfully at the night into which her bird has flown off, the echoes of their final words implied by avian flute trills. Even once Olsen turns gentle again, the string arrangement simmers with dreadâthere is some kind of explosion coming, the song warns us, before it arrives, spectacularly. Fitness rooms gym milf and students have wet lesbian ⦠Interpolating the âdoo doo dooâs of Lou Reedâs âWalk on the Wild Side,â âSummer Girlâ never builds to one solid chorus or drop, instead swaying into a sketch of a seasonâs magic hour, rolling on and on into the sunset. âSasha Geffen. As the song continues, these disruptions become more frequent, building to a tempest of discord thatâs cathartic, indulgent, and kind of silly. Added in World of Warcraft: Legion. As if with a finger wag, she adds, âYou will never know everything.â But thereâs sweetness even in Woodsâ venom, as when she taunts her foes by threatening to âtenderly fill [them] with white light.â Itâs another nod to her multitudes: White light contains every color of the rainbow. But when the drums kick in for the final 45 seconds, they introduce an explosive wall of sound thatâs as urgent as an air raid siren. âAeroplaneâ is another entry in a long line of great songs set in the sky (think Joni Mitchellâs âThis Flight Tonightâ or Bill Callahanâs âSmall Planeâ), this one spurred by a reflection in the cabin window and an image of someone from her past, whose head she imagines wreathed in city lights. Check out our vertical controller hopper here! âStaring at a screen/Makes me itch and scream,â Ali Carter yells. During my seniorâ¦â It wasn't until earlier this month (9/01/01) that i learned what i had done. Please use with caution and discretion, as it could cause damage/injury if not handled with respect and care. The track is a perfect expression of a distinctly modern anxiety: being stranded in a place with no cell signal, dying to know whatâs going on in someone elseâs head. Buoyed by an infectious hook, a sugar-cereal beat, and Teccaâs Auto-Tuned verses, âRansomâ is two glorious minutes of playing pretend. On an album largely about the joys of being unattached, âNASAâ offers a nuance: the freedom to be attached, just not right now. If Ferreiraâs previous album Night Time, My Time channeled â90s alt-pop, âDownhill Lullabyâ nods to the decadeâs trip-hop with languid drums and bass, dank atmosphere, and a vague seediness. âHey, Maâ wants you to get those lighters upâor your phone or your hands or whateverâand join in. In âSnow Is Falling in Manhattan,â he turns a brownstone into a snow globe, his ragged voice rumbling over gentle guitar and drums. Her voice expresses a gentle yet pervasive melancholy, but the swaying cymbals, woozy guitars, and lazy pedal steel keep you from sinking too deep into self-pity. Multi-part harmonies and singsong back-and-forth between Solange and The-Dream feel like peering into a closed session. âAnupa Mistry, The first half of this 10-minute track from DJ/producer Maya Bouldry-Morrison, aka Octo Octa, is rooted in gritted, lo-fi breaks, with vocals that drift on a reverbed vapor trail. The South Korean producer Peggy Gouâs âStarry Nightâ summons revellers around a familiar gathering point: bright, bold piano chords, the tentpoles of summertime house classics ever since the music migrated from Chicago basements to Balearic terraces. Visionaries like FKA twigs, Angel Olsen, and Charli XCX took their art to new heights. The funky bass riff and disco drums mock her distress, setting the scene for a dance where our heroine has no partner: âI ran to you and you know why,â she shouts at the empty barstool next to her. Iâm just happy.â Itâs a startlingly vulnerable moment, one that makes this anthem of acceptance that much more invincible. 1 Digital Control Board with meat temp sensor, Includes SMOKE MODE with P Setting, P Settings are 1-7, Has Automatic Shut Down Feature “which runs the fan motor for 5 minutes after shut down to blow out fire and ashes”, Has ANTI OVERCOOK FEATURE – This feature lets you set a desired meat probe temperature and when the meat probe reaches this temperature, it will put the stove into smoke mode to keep your food warm but will help prevent over cooking meal. Anally stretched liza del sierra appreciates a big ⦠Definitely recommend if yours looking to build a smoker. The fevered pulse of St. Vincentâs production blurs the jagged edges of Brownstein and Tuckerâs twin guitars, making for an urgent undercurrent capable of driving listeners into each otherâs arms. As a lyricist, Adrianne Lenker captures even the most abstract observations with profound precision. He tells stories. 100 lá»i khuyên lúc lâm chung của vá» Thầy thuá»c Trung y 112 tuá»i (P.3) 14/02/21, 10:45. She knows the paradox of being a teen is that itâs all over soon, but it will stay with you forever. Why? I was skeptical about buying this but I went ahead and bought it. âLaura Snapes, Listen: Perfume Genius, âEye in the Wallâ, NASA, probably the only popular U.S. government agency left, was everywhere this year: T-shirts and patches bearing its charmingly retro insignia became a bona fide trend, and Ariana Grande pulled its name for a sneaky sleeper hit from thank u, next. Itâs a place for remembering, for both running down regrets and allowing yourself to feel a bit of gratitude. Over the course of his last several albums, each a document of loss, Phil Elverum has become one of the most bracingly frank songwriters of our generation. She sings about a relationship thatâs not healthy yet no longer up for reconsideration; around her, the strings swoop and keen as if they're racing to the ground, too. Until recently, the governing body that oversees college sports wouldnât let student athletes profit in any way off their talents or likenesses, and 2 Chainz, a former player himself, weaponizes that hypocrisy into a rallying cry. We would like to show you a description here but the site wonât allow us. âCat Zhang, Listen: Black Belt Eagle Scout, âAt the Partyâ, One of the most consistent sources of joy on Instagram in the past year has been Lil Uzi Vertâs feed, which serves as a running catalog of the rapperâs outfits. âRyan Dombal, You know itâs been a rough year when the man behind âUptown Funkâ makes an album of breakup songs. This will help you with understanding how to design a proper flame guard and drip tray for best results. On âNew Apartment,â Lennox conveys this particular sense of freedom with a delightful string of images. âMarc Hogan, If youâve ever woken up to see that Saks Fifth Avenue has charged thousands of dollars to your credit card, you probably wonât love Teejayx6âs brand of Detroit scam rap. His own music is a logical evolution of their writing, even more vulnerable and irrepressibly sad. Those who can only remember being teenage may smile at lines like âMy soul? The track, a jagged instrumental courtesy of twigs alongside producers Skrillex, Nicolas Jaar, Benny Blanco, and Noah Goldstein, fills in the space between these two modes of addressâsweet entreaty, throaty self-recrimination. In his 2004 song âWe Squirm,â Elverum characterized feelings as âcaptorsâ from which weâll never be free. âArielle Gordon, On â13th Century Metalââthe centerpiece of Brittany Howardâs debut solo album, Jaimeâthe leader of Alabama Shakes lays out a personal mission statement, her rock mantras on self-care and empathy building into the courage to denounce those âwho are determined to keep us in the dark ages of fear.â The song reflects her search for optimism, with chants that grow in intensity as her inward resolutions become outward pleas for kindness. âAnupa Mistry, 2 Chainzâ Rap or Go to the League unpacks a long-held belief: The only two ways for some kids to make it out of the hood are to rap or play ball. *** RTD probe placement – RTD must be placed in close proximity to grill grate for accurate readings. W/ Vertical Controller, 18″ Pellet Hopper Assembly Kit br> With 700 sq in of cast-iron cooking surface, including a second tier rack, the Pit Boss wood pellet grill is ideal for a group of four to six. They give "I Need You" the feeling of being suspended between two planes, its knees planted on the ground as its spirit drifts to the sky like a prayer. You may have seen this ending before, but youâll cry all the same. Atop sparse beats and a hazy guitar, she sings poetically about the wave of self-actualization that hits after the end of a long-term relationship, noting that âthe door slams hard behind you when you leave the house of judgement.â âJillian Mapes, To hear him tell it, Mike Hadreas has a terrible relationship with his body. Check out all of Pitchforkâs 2019 wrap-up coverage here. âRyan Dombal, A high-octane bridge between the rave-ups of Charli XCXâs past and the sleek robo-pop of her present, âGoneâ is the best Charli of both worlds. the meat does not need to absorb any more smoke, so you could actually finish it in your oven if you want. Le portail boursorama.com compte plus de 30 millions de visites mensuelles et plus de 290 millions de pages vues par mois, en moyenne. âMadison Bloom, Listen: Mark Ronson, âTrue Blueâ [ft. Angel Olsen], On âThe Barrel,â Aldous Harding says a lot but gives away almost nothing. On the standout ballad â747,â Callahan contemplates the unspoiled gaze of a newborn baby, likening it to the view from an airplane. Her words, spiked with equal parts apathy, opulence, and menace, echoed in Jamila Woodsâ mind as she worked on her second album, LEGACY! Though âWhat Happens to People?â was recorded before the death of former Deerhunter bassist Josh Fauver late last year, the loss canât help but hang like a specter over this song about the inevitability of lifeâs end. The songâs chorus alone is so rhythmically irresistible, it makes you wonder why Spanish wasnât always popâs lingua franca. This new role of family man shaped his album Shepherd in a Sheepskin Vest significantly. The left-field techno anthemâs beat is reminiscent of Laurie Andersonâs âO Superman,â except here those slow, staccato exhalations sound more like the huffing of some titanic beast; the lumbering bassline might be its swishing tail. Airy melodies seemed to drift out of her like breath. âBromleyâ is a perfect fusion of Joy Orbisonâs atmosphere and the thudding, percussive style of Overmono, and the results are delirious. In the frail centerpiece of the bandâs Why Hasnât Everything Already Disappeared?, he simply prods at the multiple ways humans give up, decay, and vanish. WE ACCEPT ALL RETURNS WITHIN 30 DAYS OF PURCHASE. This yearâs MAGDALENE was twigsâ exorcism of those woesâthe ones that suddenly appear on your doorstep, the ones brewing internallyâwith âcellophaneâ as its final absolution. âMadison Bloom, On Western Stars, a Springsteen album full of character studies, the protagonist of âHello Sunshineâ may be the one who most resembles the man himself. Chairlift singer-songwriter Caroline Polachek, one of the first â00s indie rock musicians to move into mainstream pop songwriting, surely knows this. Rather than using boyfriends, endless work, or other peopleâs desires as a distraction, Hendricks decides to finally celebrate herself. Sexy office secretary sex with boss will make you secrete thick cum. And truly, Uzi is the only rapper that could confess on record to being a loyal viewer of The Big Bang Theory and still have it slap. What she canât fit into words plays out in the songâs swirl of major-key jangle, shoegaze fuzz, and tambourine, all churning like air currents. Heâs a full showman here, his bits polished, his delivery smooth. Pulling double duty as both a body-positive banger and a party bop, âJuiceâ obliterates inhibitions to the point that listenersâ insecurities become as insignificant as the not-so-single men sliding into Lizzoâs DMs. âNoah Yoo, âFreelance,â the spiritual centerpiece of Chaz Bearâs sixth album as Toro y Moi, is the sort of catchy song that follows youâonto the subway, into the bathroom, into your dreams. After a mixtapeâs worth of unfinished music was leaked in 2013, Paul basically disappeared for the next six years, establishing himself as a reclusive mad genius. With a keening croak and hearty 12-string, Adrianne Lenker traverses this liminal space in great strides, implicating beauty, fear, plant life, and human death in a vast spiritual conspiracy. Thanks again.